Michael Moore: "Sicko" is Completed and We're Off to Cannes!

Michael Moore writes:

Friends,

It's a wrap! My new film, "Sicko," is all done and will have its world premiere this Saturday night at the Cannes Film Festival. As with "Bowling for Columbine" and "Fahrenheit 9/11," we are honored to have been chosen by this prestigious festival to screen our work there.

My intention was to keep "Sicko" under wraps and show it to virtually no one before its premiere in Cannes. That is what I have done and, as you may have noticed if you are a recipient of my infrequent Internet letters, I have been very silent about what I've been up to. In part, that's because I was working very hard to complete the film. But my silence was also because I knew that the health care industry -- an industry which makes up more than 15 percent of our GDP -- was not going to like much of what they were going to see in this movie and I thought it best not to upset them any sooner than need be.

Well, going quietly to Cannes, I guess, was not to be. For some strange reason, on May 2nd the Bush administration initiated an action against me over how I obtained some of the content they believe is in my film. As none of them have actually seen the film (or so I hope!), they decided, unlike with "Fahrenheit 9/11," not to wait until the film was out of the gate and too far down the road to begin their attack.

Bush's Treasury Secretary, Henry Paulson, launched an investigation of a trip I took to Cuba to film scenes for the movie. These scenes involve a group of 9/11 rescue workers who are suffering from illnesses obtained from working down at Ground Zero. They have received little or no help with their health care from the government. I do not want to give away what actually happens in the movie because I don't want to spoil it for you (although I'm sure you'll hear much about it after it unspools Saturday). Plus, our lawyers have advised me to say little at this point, as the film goes somewhere far scarier than "Cuba." Rest assured of one thing: no laws were broken. All I've done is violate the modern-day rule of journalism that says, "ask no questions of those in power or your luncheon privileges will be revoked."

This preemptive action taken by the Bush administration on the eve of the "Sicko" premiere in Cannes led our attorneys to fear for the safety of our film, noting that Secretary Paulson may try to claim that the content of the movie was obtained through a violation of the trade embargo that our country has against Cuba and the travel laws that prohibit average citizens of our free country from traveling to Cuba. (The law does not prohibit anyone from exercising their first amendment right of a free press and documentaries are protected works of journalism.)

I was floored when our lawyers told me this. "Are you saying they might actually confiscate our movie?" "Yes," was the answer. "These days, anything is possible. Even if there is just a 20 percent chance the government would seize our movie before Cannes, does anyone want to take that risk?"

Certainly not. So there we were last week, spiriting a duplicate master negative out of the country just so no one from the government would take it from us. (Seriously, I can't believe I just typed those words! Did I mention that I'm an American, and this is America and NO ONE should ever have to say they had to do such a thing?)

I mean, folks, I have just about had it. Investigating ME because I'm trying to help some 9/11 rescue workers our government has abandoned? Once again, up is down and black is white. There are only two people in need of an investigation and a trial, and the desire for this across America is so widespread you don't even need to see the one's smirk or hear the other's sneer to know who I am talking about.

But no, I'm the one who now has to hire lawyers and sneak my documentary out of the country just so people can see a friggin' movie. I mean, it's just a movie! What on earth could I have placed on celluloid that would require such a nonsensical action against me?

Ok. Scratch that.

Well, I'm on my way to Cannes right now, a copy of the movie in my bag. Don't feel too bad for me, I'll be in the south of France for a week! But then it's back to the U.S. for a number of premieres and benefits and then, finally, a chance for all of you to see this film that I have made. Circle June 29th on your calendar because that's when it opens in theaters everywhere across the country and Canada (for the rest of the world, it opens in the fall).

I can't wait for you to see it.

Yours,

Michael Moore

P.S. I will write more about what happens from Cannes. Stay tuned on my website, MichaelMoore.com.

Michael Moore Challenges Alleged Presidential Wannabe Fred Thompson

Letter from Michael Moore to ex-Senator Fred Thompson:May 15, 2007

Senator Fred Thompson
American Enterprise Institute
1150 Seventeenth Street, N.W.
Washington, DC 20036

Dear Senator Thompson,

Given that it has been publicly reported in The Weekly Standard, a leading neo-conservative publication, that you support Fidel Castro and the Cuban regime by being a purveyor of fine Cuban exports despite the trade embargo, I was surprised to see your recent op ed in a more traditional conservative outlet, The National Review, regarding my trip to Cuba (I suspect you choose The National Review in an effort to pander to an outlet that had criticized you for your opposition to medical malpractice legislation).

In your May 2, 2007 National Review article, “Paradise Island,” you specifically raised concerns about whether my trip to Cuba with 9/11 heroes, who have suffered serious health problems as a result of their exposure to toxic substances at Ground Zero that have gone untreated, was somehow going to support Castro and the Cuban government:

“It always leaves me shaking my head when I read about some big-time actor or director going to Cuba and gushing all over Castro.”

Putting aside the fact that you, like the Bush Administration, seem far more concerned about the trip to Cuba than the health care of these 9/11 heroes, I was struck by the fact that your concerns (including comments about Castro's reported financial worth) apparently do not extend to your own conduct, as reported in The Weekly Standard's April 23, 2007 story, “From the Courthouse to the White House Fred Thompson auditions for the leading role” (emphasis added):

“Thompson's work space looks just like what the home office of a successful politician or CEO should look like--though a little messier: a large desk, dark wood, leather furniture, lots of books and magazines and newspapers, a flat-screen TV, and box upon box of cigars--Montecristos from Havana.”

In light of your comments regarding Cuba and Castro, do you think the “box upon box of cigars – Montecristos from Havana” that you have in your office have contributed to Castro's reported wealth?

While I will leave it up to the conservatives to debate your hypocrisy and the Treasury Department to determine whether the “box upon box of cigars” violates the trade embargo, I hereby challenge you to a health care debate.

Survey after survey has indicated that health care is one of the top issues to the American voters. Today, more than 46 million people lack health care coverage, including 9 million children. We pay significantly more than any other country in the world - and get less back. Americans life expectancy is lower than other developed countries and our infant mortality rates are higher. And our heroic Ground Zero 9/11 workers live in a society where the Bush Administration has shown more concern about their travel than about their health.

Our debate would provide you an opportunity to appeal to the right wing of the Republican Party by continuing to attack me; it would give me a chance to discuss health care and tell you exactly what happened in Cuba, given your apparent interest; and it would provide the American people an opportunity to see just how serious Hollywood can be, with a purported conservative and an avowed progressive Hollywood personality on stage.

Over the course of the debate, we could specifically address the following issues:

(1) Your work as a lobbyist in light of the fact that the health care and insurance industries have maintained the current health care system through their effective control of the political establishment.

(2) The fact that you raised hundred of thousands of dollars in campaign contributions from the health care and insurance industries.

(3) Discuss the fact, highlighted in yet another conservative outlet The New York Sun, that you inexplicably wanted to cut funding for AIDS research.

(4) Your relationship with the Frist family and by extension HCA, one of the nation's largest for-profit hospital chains. It has been reported that former Senate Majority Leader Bill Frist (who was renowned for his over-the-television-screen Schiavo diagnosis) is serving as one of your confidantes on your potential presidential campaign. The Frist family has historically controlled HCA, which paid a record $1.7 billion in civil and criminal fines, including a $631 million penalty for Medicaid fraud – in other words, ripping off the taxpayers.

(5) Discussing whether Arthur Branch, as the District Attorney of Manhattan, supports a woman's right to choose, gun safety reforms, gay marriage, the trans fat ban and anti-smoking laws (which would impact Cuban cigars, including your Montecristos).

Like American Idol, we could even have the country vote to determine which one of us wins the debate. Though in the spirit of full disclosure, I feel obligated to forewarn you that I was the winner of the 1971-72 Detroit Free Press Debate Award for the state of Michigan.

The winner of our health care debate could even light a victory cigar with one of your Montecristos (though we may want to consider shipping them to the safe house where I have put a master copy of SiCKO in the event that the Bush Administration tries to seize the film).

Sincerely,


Michael Moore

Michael Moore Faces U.S. Treasury Probe

Academy Award-winning filmmaker Moore is under investigation by the U.S. Treasury Department for taking ailing Sept. 11 rescue workers to Cuba for a segment in his upcoming health-care documentary "Sicko," The Associated Press has learned. (AP Photo/Reed Saxon) (Reed Saxon - AP)

The Washington Post reports:
The investigation provides another contentious lead-in for a provocative film by Moore, a fierce critic of President Bush. In the past, Moore's adversaries have fanned publicity that helped the filmmaker create a new brand of opinionated blockbuster documentary.

"Sicko" promises to take the health-care industry to task the way Moore confronted America's passion for guns in "Bowling for Columbine" and skewered Bush over his handling of Sept. 11 in "Fahrenheit 9/11."

The Treasury Department's Office of Foreign Assets Control notified Moore in a letter dated May 2 that it was conducting a civil investigation for possible violations of the U.S. trade embargo restricting travel to Cuba. A copy of the letter was obtained Tuesday by the AP.

"This office has no record that a specific license was issued authorizing you to engage in travel-related transactions involving Cuba," Dale Thompson, OFAC chief of general investigations and field operations, wrote in the letter to Moore.

In February, Moore took about 10 ailing workers from the Ground Zero rescue effort in Manhattan for treatment in Cuba, said a person working with the filmmaker on the release of "Sicko." The person requested anonymity because Moore's attorneys had not yet determined how to respond.

Moore, who scolded Bush over the Iraq war during the 2003 Oscar telecast, received the letter Monday, the person said. "Sicko" premieres May 19 at the Cannes Film Festival and debuts in U.S. theaters June 29.

Moore declined to comment, said spokeswoman Lisa Cohen.

After receiving the letter, Moore arranged to place a copy of the film in a "safe house" outside the country to protect it from government interference, said the person working on the release of the film.

Treasury officials declined to answer questions about the letter. "We don't comment on enforcement actions," said department spokeswoman Molly Millerwise.

The letter noted that Moore applied Oct. 12, 2006, for permission to go to Cuba "but no determination had been made by OFAC." Moore sought permission to travel there under a provision for full-time journalists, the letter said.

According to the letter, Moore was given 20 business days to provide OFAC with such information as the date of travel and point of departure; the reason for the Cuba trip and his itinerary there; and the names and addresses of those who accompanied him, along with their reasons for going.

Potential penalties for violating the embargo were not indicated. In 2003, the New York Yankees paid the government $75,000 to settle a dispute that it conducted business in Cuba in violation of the embargo. No specifics were released about that case.

"Sicko" is Moore's followup to 2004's "Fahrenheit 9/11," a $100 million hit criticizing the Bush administration over Sept. 11. Moore's "Bowling for Columbine" won the 2002 Oscar for best documentary.

A dissection of the U.S. health-care system, "Sicko" was inspired by a segment on Moore's TV show "The Awful Truth," in which he staged a mock funeral outside a health-maintenance organization that had declined a pancreas transplant for a diabetic man. The HMO later relented.

At last September's Toronto International Film Festival, Moore previewed footage shot for "Sicko," presenting stories of personal health-care nightmares. One scene showed a woman who was denied payment for an ambulance ride after a head-on collision because it was not preapproved.

Moore's opponents have accused him of distorting the facts, and his Cuba trip provoked criticism from conservatives including former Republican Sen. Fred Thompson, who assailed the filmmaker in a blog at National Review Online.

"I have no expectation that Moore is going to tell the truth about Cuba or health care," wrote Thompson, the subject of speculation about a possible presidential run. "I defend his right to do what he does, but Moore's talent for clever falsehoods has been too well documented."

The timing of the investigation is reminiscent of the firestorm that preceded the Cannes debut of "Fahrenheit 9/11," which won the festival's top prize in 2004. The Walt Disney Co. refused to let subsidiary Miramax release the film because of its political content, prompting Miramax bosses Harvey and Bob Weinstein to release "Fahrenheit 9/11" on their own.

The Weinsteins later left Miramax to form the Weinstein Co., which is releasing "Sicko." They declined to comment on the Treasury investigation, said company spokeswoman Sarah Levinson Rothman.

Fred Thompson On Cuban Medical Care

At ABC radio networks, Fred Thompson writes, "The Myth of Cuban Health Care":

You might have read the stories about filmmaker Michael Moore taking ailing workers from Ground Zero in Manhattan to Cuba for free medical treatments. According to reports, he filmed the trip for a new movie that bashes America for not having government-provided health care.

Now, I have no expectation that Moore is going to tell the truth about Cuba or health care. I defend his right to do what he does, but Moore's talent for clever falsehoods has been too well documented. Simply calling his movies documentaries rather than works of fiction, I think, may be the biggest fiction of all.

While this PR stunt has obviously been successful -- here I am talking about it -- Moore's a piker compared to Fidel Castro and his regime. Moore just parrots the story they created -- one of the most successful public relations coups in history. This is the story of free, high quality Cuban health care.

The truth is that Cuban medical care has never recovered from Castro's takeover -- when the country’s health care ranked among the world's best. He won the support of the Cuban people by promising to replace Batista’s dictatorship with free elections, and to end corruption. Once in power, though, he made himself dictator and instituted Soviet-style Communism. Cubans not only failed to regain their democratic rights, their economy plunged into centrally planned poverty.

As many as half of Cuba's doctors fled almost immediately -- and defections continue to this day. Castro won't allow observers in to monitor his nation's true state, but defectors tell us that many Cubans live with permanent malnutrition and long waits for even basic medical services. Many treatments we take for granted aren't available at all -- except to the Communist elite or foreigners with dollars.

For them, Castro keeps "show" clinics equipped with the best medicines and technologies available. It was almost certainly one of these that Moore went to, if the stories in the NY Post and The Daily News are true.

Nothing about this story inspires doubt, though. Elements in Hollywood have been infatuated with the Cuban commander for years. It always leaves me shaking my head when I read about some big-time actor or director going to Cuba and gushing all over Castro. And, regular as rain, they bring up the health care myth when they come home.

What is it that leads people to value theoretically "free" health care, even when it's lousy or nonexistent, over a free society that actually delivers health care? You might have to deal with creditors after you go to the emergency ward in America, but no one is denied medical care here. I guarantee even the poorest Americans are getting far better medical services than many Cubans.

According to Forbes magazine, by the way, Castro is now personally worth approximately $900 million. So when he desperately needed medical treatment recently, he could afford to fly a Spanish surgeon, with equipment, on a chartered jet to Cuba. What does that say about free Cuban health care?

The other thing that irks me about Moore and his cohort in Hollywood is their complete lack of sympathy for fellow artists persecuted for opposing the Castro regime. Pro-democracy activists are routinely threatened and imprisoned, but Castro remains a hero to many here. According to human rights organizations, these prisoners of conscience are often beaten and denied medical treatment, sanitation or even adequate nutrition.

If Moore wants a subject for a real documentary, I would suggest looking into the life of Cuban painter and award-winning documentarian Nicolás Guillén Landrián. He was denied the right to practice his art for using the Beatles' song, "The Fool on the Hill," as background music behind footage of Castro climbing a mountain. Later, he was given plenty of free Cuban health care when he was confined for years in a "mental institution" and given devastating, repeated electroshock "treatments."

There are many other artists and activists who have enjoyed similar treatment. I suspect we'll see movies with sympathetic portrayals of terrorists held in Guantanamo before we ever hear about the torture of true Cuban heroes. Even Andy Garcia's brilliant fictionalized movie about the real Cuban experience, "The Lost City," was given the Hollywood silent treatment. My bet, though, is that we'll hear lots about how Michael Moore showed that Cuba's socialized medicine is better than ours.

So go ahead and start working on the Oscar speech, Michael.